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Eyelights or Eyeshadows - My Mundane Makeup Thoughts
I have been ignoring this blog because I have been obsessed with eyelights. No not eyeshadows or highlights -- EYELIGHTS. I knew what I wanted but I couldn't go around wasting my time buying products to satisfy my imagination. I journeyed to Dr. Olivia's Makeup Lab. *Cue in the Frankenstein music.*
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Guest Post: The Pocket-Sized Crystal Palace Dinosaurs
Every reader of this blog must surely be familiar with the Crystal Palace dinosaurs. These were the life-size dinosaur models made around 1854 by Benjamin Waterhouse Hawkins in collaboration with Richard Owen and placed in a naturalistic, outdoor setting in Crystal Palace Park. They were the very first dinosaur models ever made. The story of these magnificent and ground-breaking models has been told extensively elsewhere, but I’d like to share with you slightly lesser known versions of these famous sculptures.
From their inception, Hawkins and his supporters saw the sculptures as being primarily educational and accessible to everyone – not just the educated elite. Hawkins thought of his dinosaurs as ‘one vast and combined experiment of visual education’. The sculptures were envisioned not as mere spectacle, but as a public educational resource to improve the mind, for all classes of Victorian society. The dean of Hereford, Richard Dawes, a cleric and educator, suggested to Hawkins that small-scale models of the dinosaurs be made for the purpose of scientific studies in schools and other educational institutions. In the spirit of inclusiveness, Dawes said:
‘He should be glad to see those models multiplied at a price which would enable them to be introduced into village and ordinary school, as every one could not visit the Crystal Palace, and he therefore hoped that specimens like those before them might be rendered attainable by those in remote and secluded districts, who would not have the advantage of witnessing the splendid and gigantic illustration of the extinct creation of the early ages of the world which would be there exhibited.1
Knowing a good merchandising deal when he saw it, mineralogist James Tennant struck an agreement with Hawkins to produce the models, along with a series of six posters depicting the prehistoric animals that had been sculpted. Tennant, capitalising on the lucrative market of well-to-do gentlemen naturalists, and had built up a successful business selling fossils, shells, minerals and the tools needed to collect them. (By 1854, Tennant laid claim to the impressive and unique title of ‘Mineralogist to her Majesty’). Small- scale models were produced of the dinosaurs Megalosaurus and Iguanodon, the aquatic reptiles Ichthyosaurus and Plesiosaurus (combined as a tableau), the pterosaur Pterodactylus, and "Labyrinthodon," an obsolete name for the temnospondyl amphibian Mastodonsaurus.


In addition to these models, replicas were made by Henry A. Ward, an American professor of natural science and dealer of in fossils, bones and other scientific specimens. Ward was advertising the models from at least 1866 and sold them from his business, Ward’s Natural Science Establishment, in Rochester, New York. According to Ward’s catalogue of the time, a full set of the five models could be purchased for $30, or individually from $5 to $10.2
We have two of these small-scale models in our Tiegs Museum Zoology Collection at the University of Melbourne, an Iguanodon and a Megalosaurus. They were donated to the collection sometime between 1916 and 1921 by trail-blazing zoologist Associate Professor Georgina Sweet. Due to the university’s historically close association with the British scientific establishment, I suspected our models were Hawkins’ originals rather than Wards replicas. After some detective work I found that although the two model types are very similar in their shape, there are differences in the models’ colouration. Ward’s models are a coppery-brown colour, with a green plaster underside. Our models, and all of Hawkins’ originals, are painted a glossy black, while the exposed plaster underside is a mottled white, grey and green.


While I was researching these models, I visited the collections of the Melbourne Museum to see their own Iguanodon (also a Hawkins’ original). A geologist friend of mine was there with the collection manager. He heard about my project and scoffed cheerfully; “Why are you interested in those things? They’re wrong!” This is a common reaction to these dinosaurs and I think it’s short-sighted. If I was writing this in the eighties, I’d be correcting Hawkins’ assumption that Iguanodon was quadrupedal and reconstruct it instead as the awkward, kangaroo-postured biped we all know and love. But paleontological research has brought us full circle and Iguanodon is again considered predominantly quadrupedal, albeit more lightly built than the Victorians had envisioned. Any student of the history of paleontological illustration should be wary of the notion that current reconstructions aren’t every bit a work in progress as their predecessors. Imagine how silly all of these featherless dinosaurs are going to look to the next generation of dinosaur devotees.
Footnotes
1. Benjamin Waterhouse Hawkins, ‘On visual education as applied to geology’, Journal of the Society of Arts, (London), vol. 2, 1853–54.
2. Henry A. Ward, 1866, quoted in Jane P. Davidson, ‘Catalogue of casts of fossils (1866) and the artistic influence of Benjamin Waterhouse Hawkins on Ward’, Transactions of the Kansas Academy of Science, vol. 108, nos 3–4, Fall 2005, pp. 138–48.
You can catch up with Rohan on Twitter @zoologyrohan and listen to his new musical project, Bronzewing, at bronzewing.bandcamp.com.
The Doctrines of Marriage and Family and Our Role and Responsibility as Husband and Father©
First and foremost, nothing except God Himself takes priority over your wife in your life—not work, not recreation, not hobbies.Your wife is your precious, eternal helpmate—your companion.
What does it mean to love someone with all your heart? It means to love with all your emotional feelings and with all your devotion. Surely when you love your wife with all your heart, you cannot demean her, criticize her, find fault with her, or abuse her by words, sullen behavior, or actions.
What does it mean to ‘cleave unto her’?It means to stay close to her, to be loyal and faithful to her, to communicate with her, and to express your love for her”(26)
5. Mary Catherine Thomas, “The Influence of Asceticism on the Rise of Christian Text, Doctrine, and Practice in the First Two Centuries,” PhD. diss., Brigham Young University, 1989, 36-106.
Dipping My Fingers into the Burberry Pink Taupe Eye Palette
The snob in me surfaced a few weeks ago. I convinced myself that I deserved a luxury makeup item. After all, I am pretty sure my last luxury makeup (not beauty tools) was a Chanel Ombré Eyeshadow in 2013. I wanted an eyeshadow palette which I could use everyday and feel loved and special. This is why I chose the Burberry Pink Taupe.
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A Vital Pattern Found Early in the Book of Mormon©
As I thought about the fact that there were two trips and the order in which they came, I felt a message that said it is important to establish a pattern of righteousness, valuing and using the scriptures, before entering into the most important relationship in time and in eternity.There was wisdom in obtaining the plates first.Two trips were necessary to emphasize this pattern.(1)
Dave Hone's The Tyrannosaur Chronicles: at last, a review
Naturally, Dave's opus aims further than those of us who have a ready supply of tyrannosaur toys to pose alongside our books. As such, TTC opens with primers on anatomy, scientific nomenclature and cladistics, much of which will be very familiar to your typical LITC reader, but will prove immensely informative to those with a more passing interest in Mesozoic megafauna. While you can probably skip these sections if you know your temporal fenestra from your occipital condyle, you may find them a useful memory-jogger in places all the same, and they occupy but a tiny portion of the book as a whole. There's also an introduction to the clade Dinosauria which, while again likely to be very familiar stuff to readers of this blog, is still neatly explained, concise and enjoyable to read, in addition to providing a handy introduction for the less saurian-inclined. Dave also debunks a few long-standing myths about dinosaurs, and firmly pushes the birds-are-dinosaurs message, all of which is quite laudable.
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Further photos courtesy of Bloomsbury |
While much of the evidence will be familiar, there are sure to be wonderful surprises in store for many readers, and the book is canny in taking an approach that heartily encompasses comparisons with living animals where appropriate, pointing out where tyrannosaurs were similar to, and differed substantially from, their extant relatives and analogues. This is no book of hoary clichés about unstoppable tank-o-sauruses viciously crunching their way through anything stupid enough to get in their way, but a considered look at a group of animals' survival through the years. Much is made of how tyrannosaurs would mostly have hunted younger, vulnerable animals, rather than engaged in thrilling Carnivora Forum duels with dangerous, multi-tonne opponents; how they would have spent much of the day resting; how they changed as they grew, and how this compares to modern animals like crocodiles; how much variation there can be within a species, and how we shouldn't make assumptions based on very limited data; and so on and so on.
Perhaps the best thing about The Tyrannosaur Chronicles is how almost every reader will come away having learned something new not just about the tyrannosaurs, but about animals in general. This is the best kind of dinosaur book, in which fossil evidence meets a thorough understanding of animal behaviour and biology to give us a very immediate and exciting image of the distant past. Hopefully, reading TTC will encourage many readers to look beyond the movie myths and hyperbole and reconsider not just the tyrant reptiles of the distant past, but also the relationships between predators and prey in the world today. This might not surprise those who've followed Dave's work over the years, but it's very heartening to see his writing out there in popular book form. Even if you think you know all there is to know about tyrannosauroids, this book is well worth a buy. Of course, you could always just draw something and get it for free (and signed).
Oh, and one more thing - kudos to Scott Hartman for the sterling work, as always!
Dave enjoys a pyjama party with T. rex. Maybe. |
Vintage Dinosaur Art: Animals of the Past Stamps - Part 2
That the NA dinosaurs were killed off in some sort of cataclysm is taken for granted these days, so it's easy to forget that the concept is relatively recent. Of course, the asteroid idea was yet to be mooted in the pre-Renaissance days, but in addition the dinosaurs were long considered to be simply obsolete by the end of the Cretaceous. After all, their frills, spines and tiny arms matched with giant heads were just examples of evolutionary silliness, and they were surely doomed to be replaced by animals that were smaller, leaner, faster, and could actually maintain their body temperature. This book is typical in asking nothing of where all the dinosaurs went - they just, y'know, died out. Whatever. I'm not sure what this fairly generic Early Mammal is based on, but it looks a bit like a fossa with a weird wombat head. Lovely stripes on the stamp illustration, though.
Of course, the dinosaurs do get their last hurrah as 'kings of the beasts' at the start of the Cenozoic section of any book like this, normally in the form of Gastornis aka 'Diatryma'. Long depicted as an active predator of small mammals (and thus contributing to an evocative 'upside down world' that the plucky underdog mammals would come to dominate), more recent research has painted a rather different picture of this admittedly very fearsome-looking bird. In the line drawing here, it appears to be chasing the fossa-thing from the previous page. Or possibly a housecat. Meanwhile, the stamp depiction features an interesting glistening red streak on the neck. Which I quite like.
There's also the matter of The Uinta Beast, which sounds like it belongs in the cryptozoological literature, and its tiny, tiny brain. "The brute must have been very stupid." Yeah, but I'm sure its unsightly facial protuberances helped it get by.
Given that this is a book from 1954, one can forgive the overly simplistic view of equine evolution. However, it's always interesting to see a meme like this explained and illustrated through the decades. The Middle Horse illustration is especially good, with varied terrain and vegetation adding interest, but still not detracting from the subject matter. (Now just watch someone turn up and point out how it's been shamelessly copied from Charles Knight or someone.) The Dawn and Middle horses share a page with Brontotherium, which is just standing around looking pretty. Hello, dear brontothere.
Naturally, a line drawing is provided that illustrates how as horses evolved, they became bigger and lost/fused digits until they became much better at being modern horses, running around fields and pleasing posh people and the like. Which isn't quite right, or how evolution works, but I've already mentioned that. The animals in the illustration above would make a lovely sculpture, although the incongruously gigantic grass implies that they've had a run in with Rick Moranis in the 1980s.
Sooner or later, you just know that a gigantic hornless rhinoceros is going to turn up and hog all the attention. This particular creature is infamously the largest land mammal of all time (which would still have been dwarfed by the largest dinosaurs. Take that, synapsids!). It has also gone by any number of different generic names over the years, possibly to avoid being tracked down by Interpol. When I were a lad, this animal seemed to be consistently referred to as Indricotherium, whereas here it's Baluchitherium, and these days it's Paraceratherium, or the near-horned-beast (as this book would probably put it). While convincingly bulky, I'm not sure if the necks in these illustrations are a little too chunky by modern standards. Do let me know in the comments, should you be into this sort of thing. Weirdo.
(Incidentally, I searched for Paraceratherium in Google Images, just of curiosity, and 'v T. rex' inevitably appeared. Which is so very Carnivora Forum and awesomebro that I'd just love for someone to illustrate it properly.)
Occasionally, a mammal is simply too far-removed from any modern lineages for it to be referred to by anything other than its scientific name. So here is an Apostrophe (sorry, astrapothere, namely Astrapotherium), depicted inhabiting a fetchingly primordial landscape of vivid red-and-yellow sunsets straight from Jurassic Park toy packaging. (Which is by no means an insult or even backhanded compliment - I loved the JP toy boxes.) I'm quite tempted to take some brightly coloured felt tips to the illustration below, if only to cheer up the cross-looking animal depicted in it.
There's also a three-horned creature depicted in what appears to be a lovely site for picnicking (if it weren't for all the pesky prehistoric mammals roaming about the place). First person to remind me of the damn thing's name gets a shout out. UPDATE: Synthetoceras it is. Connor Ross wins.
Furthermore, if anyone would like to tell me exactly what the 'bear-like dogs' were, I'd be very grateful. Handsome portraits are fine, but scientific names would be very useful. Thankfully, I knows me a gomphothere when I see one. Wonderful use of perspective to emphasise the animal's sheer strageness - like an elephant in a funhouse mirror.
And finally...a Smilodon, striking a suitably Knightian pose as it menaces one of those pesky three-horned things, trapped in what is ostensibly a tar pit but which more closely resembles, as Rob Evans put it on Facebook, "bedsheets". Yeah, but it's just so the kids can colour it in, preferably in custard yellow. The stamp image is just as reminiscent of Knight, but I do think that bison is very handsome. It seems that depictions of herbivores in this book are often more interesting than those of carnivores...which is quite welcome.
Next time: I've finally bought a book from the 1980s with a bunch of feathered dinosaurs and annoying idiosyncratic taxonomy in it. You can probably guess which one.
The Changing Shape of Makeup Brushes
Long ago, when makeup life was very simple and only consisted of a few products and simple beauty tools of sponges and sponge tip applicators, the pros or makeup artists shopped at the art stores for their makeup brushes. The shape of these brushes reflected the needs of the painters more than the makeup artist. Filberts, flats, mops, and rounds were the majority of the basic shape of these brushes. Now, you have more!
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Viseart Cool Mattes and Bright Editorial Palettes
When Aldona drew this picture, I found it to be a great introduction to two more Viseart eyeshadow palettes. Both are matte but are at the opposite ends of the color spectrum; one is bright and colorful and the other is cool and neutral.
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Win The Tyrannosaur Chronicles!
...We'd like you to draw something for us. Specifically, we'd like to see T. rex trying (at some anachronistic human activity). And succeeding. Because atrophied forelimbs never really held anyone back, damn it, and as Dave's book will make clear, tyrannosaurs were very successful and intriguing animals. Our favourites, based on some magic combination of originality and humour, will win copies of the book. We'll also be sure to corner Dave down a dark alley and force him to sign them, which is no mean feat, as he's probably as strong as Niroot and I put together.
Please upload your entries somewhere and link to them in a comment on this post. The deadline is June 6. Absolute anatomical accuracy is not essential, but points will be awarded for it. By way of inspiration, here's a wee drawing by Niroot depicting Tyrannosaurus, the artist, being inspired itself by a Troodon. There might be some movie reference in there (what day is it again?). Good luck y'all.